For some reason—though I can’t recall the exact motivation—I found myself examining various types of hats and observing individuals who wore them. I focused particularly on those hats that were popular during the 15th and 16th centuries, especially as depicted in paintings by Brueghel and his contemporaries. These hats were not just functional; they were often ornate, featuring plumes and vibrant colors. One might argue that a hat served as an extension of one’s personality, much like a contemporary Instagram profile.
The intricate details of these hats also hinted at the craftsmanship and artistry of the period. Feathered trims, elaborate embroidery, and luxurious fabrics were not just accessories; they were statements of wealth and sophistication. The more I studied the paintings, the more I marveled at the skill of the artists who captured the essence of an entire era in their depictions of fashion.
The symbolism associated with different types of hats was fascinating. The broad-brimmed hats worn by farmers symbolized a connection to the land, while the feathered hats of nobility conveyed a sense of wealth and power. It felt as if these hats were silent storytellers, sharing tales of social structures, cultural values, and individual identity. My curiosity evolved into a quest to understand not only the fashion trends but also the deeper narratives interwoven into the history of these accessories.
“A man wearing a hat made of pearls”.
(69 x 90 cm)
Acrylic on canvas.
2006.
“A man wearing a hat with a feather”.
(69 x 90 cm)
Acrylic and uni paint marker on canvas.
2008.
