In 2006, I arrived in Abu Dhabi, feeling excited yet nervous about continuing my expat journey in this coastal Arabic town.
As I stepped outside, I was greeted by the scent of hot tarmac, the blazing sun, and the eclectic architecture of the city. I marveled at the towering skyscrapers and the sparkling waters of the Arabian Gulf. A sense of excitement and anticipation filled me as I set out to explore my new surroundings. I always felt that the rush of immigrants diving for pearls in the 19th century shared many similarities with the influx of expatriates seeking jobs in the 21st century.
The theme of pearl diving has been a popular subject in fine art, especially in painting, for centuries. In the Western world, pearl diving is often portrayed as a luxurious and romantic activity associated with wealth and privilege. These paintings typically depict serene and idyllic scenes of pearl divers in crystal-clear waters, surrounded by exotic marine life and lush tropical landscapes.
Pearl diving and gold-digging rushes were two distinct economic activities that arose in different parts of the world during the 19th century. Both were labor-intensive and significantly impacted local economies and cultures; however, gold rushes were generally more globally significant and less dangerous than pearl diving.
Pearl diving is depicted as a challenging and risky occupation that demands great skill and endurance. Many artworks illustrate pearl divers working in harsh and unforgiving environments, such as the arid Arabian desert or the turbulent waters of the Persian Gulf. These pieces often emphasize the physical and mental strength required for pearl diving, as well as the cultural significance of this tradition in Middle Eastern societies.
Despite the differences between the two, both Western and Middle Eastern art share a common appreciation for the natural beauty of pearls and the unique cultural practices surrounding pearl diving. From the opulent portrayals in Western art to the more raw and authentic representations in the Middle East, the theme of pearl diving continues to inspire and captivate artists and audiences alike.
Fascinated by the concept of diving into the deep, I looked at the costumes and tools from different countries.
Some had full-body cotton suits like the wetsuits of today. Mostly in countries like Japan where the waters are colder, but also to protect them from jellyfish.
The contrast between the rough life above water and the beauty and simplicity or the elegance of the divers under water.
Sometimes the divers only had a nose clip for their dive into the deep.
Diver (finalized Dec 2021) – (69 x 90 cm) Acrylic and uni paint marker on canvas.
The divers were made up of quite a diverse crew.
A lot of divers originally came over from the African continent.
Diver (finalized Dec 2021) – (69 x 90 cm) Acrylic and uni paint marker on canvas.
I based this painting on an old photograph of a guy hanging on a rope in the water, just before or after a dive.
I wanted to play with the colors and depth of the water without making it too obvious, so it looks like he almost doesn’t have legs.
Initially, I wanted to use blue, green, yellow, white, sepia, and purple tones but eventually stayed more on the blue side with spots of light.
Divers (finalized Oct 2021) – (140 x 100 cm) Acrylic and uni paint marker on canvas
In this painting I wanted the diver to look like an upside-down angel in that cotton suit. Going down and reaching the bottom of the ocean.
It is also about human confinement and the limitations we have under water and in general.
Old deepsea diving suits almost looked like Verneian space costumes.
Imagine the blazing sun of the Gulf on the surface of the water.
